What do mods and rockers wear

Males loved to wear thin ties, tailor made suits, v-neck jumpers and had hairstyles which imitated the look of the French Nouvelle Vague cinema actors of the era, such as Jean-Paul Belmondo. A few of the mods even went against the norms of the era by wearing eyeliner, lipstick and eye shadow, again to make them stand out from the crowd. They were immaculate and well presented in the way they dressed themselves each day, which was in stark contrast to the Rockers of the period.

The rivalry between the two tribes even extended to their choice of transport, while the mods favoured scooters because they were cleaner and therefore less likely to stain their expensive suits, the rockers wanted to dirt and grease up with their bikes. While mods wore military parkas to prevent their expensive suits from staining, rockers embraced the grime and loved nothing better than a stained T-shirt and tight black jeans.

Rockers loved to champion leather jackets too and slick back their hair with grease, which was an evolution of the Teddy Boy look sported in the 50s. However, the rest of the Teddy Boy look was rejected for being to 'dandy' for these macho rockers. Their love was Rock and Roll, championing Elvis Presley as their idol and rejecting any ideas of fashion. T-strap shoes, flats, loafers, and booties were popular mod items.

Choose t-straps to dress up an outfit, or loafers to add a casual feel. Bowling shoes were also fashionable while mod styles were popular.

Cut your hair in a bob or pixie cut. The bob was huge during the mod era, and many women chose a pixie cut as well. Consider chopping off your locks if you are truly dedicated to mod fashion. Make your eyes pop. Twiggy-style makeup is a mod staple. Heavy eyeliner and false lashes will give you a fresh, mod look.

Add bold accessories. Top things off with fun accessories such as scarves, bold jewelry, headbands, and big sunglasses inspired by modern art to accentuate your look. Choose items with patterns such as polka-dots and geometric prints. Method 2. Choose modern colors. Bold prints and bright colors are the epitome of mod.

Red, white, and blue are traditional British mod colors. Color-blocking is also a mod style so keep an eye out for those types of items. Get a tailored suit. Look for well-made, slim-cut suits. The original mods wore tailored suits black, gray and brown with vests and pocket squares.

Pants should be slim and suits should always be three button. Pick a polo shirt. Polo shirts are an essential mod item. Though you may equate a polo shirt with a preppy look, the way you pair a polo with other items makes it more mod. Be sure to button the shirt all the way to the top, as this creates the streamlined modern look.

Both bomber jackets and parkas are typical mod styles. Pair a bomber jacket with a button-up for a more dressed-up style. Consider leaving the zipper down halfway to show off your shirt. Choose a parka in green or tan for a traditional mod look, reminiscent of The Who. Pick slim-fit trousers.

These pants are a mix between a boxy design and a tighter pant. Slim-fit does not equate to skinny jeans; they should be fitted, not tight. Choose chinos or a tapered pant. The term Modernist derives from Modern Jazz — the music of choice for the early mod. The new brands of music and clothing available was representative of a changing Britain, influenced by post war immigration, particularly from the Caribbean. The way that Mods dressed was about more than just looking smart.

They wanted to distance themselves from the way that their parents lived, this was symbolised by the way they chose to dress. In the late 50s Teddy Boys were the iconic subculture. Mods wanted to move away from this look and looked to Europe for inspiration. Mods wore Italian look, slim-fit suits, drove Vespa and Lambretta scooters.

Mods vs. The curious and somewhat confusing mix of various gang-like youth subcultures in the late s in Britain plays a role in the youth-exploitation film Beat Girl. While not detailed the Mods and Rockers per se — they are being used primarily as a metaphor for the changing aesthetics in British youth culture from the s to the early s — it is important to note that sociologists have determined that despite their outward differences hair, dress, mode of transportation, and so on the groups share several crucial links.

For one thing, members of the youth gangs of the s and early s tended to be working class. Likewise, we shall see that skiffle and rock musicians that sprang up within British youth culture in the s and early s also tended to come from the working class.