Why is artemisia gentileschi famous

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The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. I saw that her work was like nothing else, it has always stood out immensely. Then, after I graduated in I saw the [ Judith and Holofernes ] painting at the Ufizzi, and I knew I wanted to make a graphic novel about her life and work. Did you discover anything in recreating these famous images, either about her style or the work itself?

GS: I learned a lot by copying the paintings into the book. I started seeing different objects and figures emerging from the dark areas. I learned a lot about how these artists handled clothing and drapery. A lot of this made me want to see more of the paintings in person so badly. What were your considerations for creating the images to present the horror of this experience?

GS: Handling the sexual assault in the book was a totally natural, intuitive process for me. Artemisia described her experience in detail during the trial, so my biggest goal was just to stay as true to her words as possible. I could visualize the whole thing easily, as with most of the material in the book.

It was one more story that played out in my mind as I did the research. I also set out to put her experience within the context of her time and place, while simultaneously addressing common misconceptions about sexual abuse. Plus, some scholars have written about how the impact of the abuse would have been different for a woman in than for us in the 21st century, which is certainly true.

So the question that comes up a lot is what feelings do we have that are intrinsic to being human across the ages, and which feelings are solely the product of their time and place? AF: Your book includes not just the gorgeous graphic novel, but also lengthy endnotes and a full bibliography. Did you know going in that it would include this much non-comics material? And if not, at what point did you realize the benefit of including these resources along with the comic?

GS: The addition of the notes section was another aspect of the project that came about naturally and intuitively. I wanted to give readers more concrete history. When I started writing and thumbnailing and working with an editor I realized pretty quickly that all of that is just too dense for a graphic novel of this length. But the only way I could get comfortable cutting out large swaths of material was by knowing that it would still be there in the notes section.