Oscar wilde why imprisonment

Lovecraft drew inspiration from the nightmares that haunted him throughout his childhood. After prison, Wilde deteriorated both physically and emotionally, and he died in , aged Despite earning a substantial sum in his years of fame, he died in poverty as another victim of historical persecution of individuals whose sexuality opposed the ideals of traditional and conservative societies.

May 1, Domagoj Valjak. He wrote his first play, The Duchess of Padua, in and wrote five more before his arrest. Wilde was released from prison in and fled to Paris, where his many loyal friends visited him.

He started writing again, producing The Ballad of Reading Gaol, based on his experiences in prison. He died of acute meningitis in But if you see something that doesn't look right, click here to contact us! The German air force launches Operation Castigo, the bombing of Belgrade, on April 6, , as 24 divisions and 1, tanks drive into Greece.

The attack on Yugoslavia was swift and brutal, an act of terror resulting in the death of 17, civilians—the largest number of civilian On April 6, , American explorer Robert Peary accomplishes a long elusive dream, when he, assistant Matthew Henson and four Inuits reach what they determine to be the North Pole. Born in Vermont in , Smith claimed in that he had been Two days after the U. In his defense, Douglas argued that Wilde had solicited 12 boys to commit sodomy between and Rather than flee to France, Wilde decided to remain and stand trial.

Wilde was denied bail. The second trial began on May Although many of the potential witnesses refused to betray Wilde by testifying, he was convicted. I shall pass the severest sentence that the law allows. In my judgment it is totally inadequate for such a case as this. The sentence of the Court is that you be imprisoned and kept to hard labor for two years.

Wilde served his two years and then spent the last three years of his life in exile. He died at the age of 45 and was buried in Paris. His health had improved slightly since his early time in Pentonville, where he suffered miserably from dysentery and malnutrition. Wilde only had occasional chances to read over the manuscript in full. I have made them in order that my words should be an absolute expression of my thoughts … Language requires to be tuned, like a violin; and just as too many or too few vibrations in the voice of the singer or the trembling of the string will make the note false, so too much or too little in words will spoil the message.

At first glance, De Profundis can seem anything but tuned. Wilde had spent horrible months earlier in his sentence reading Dante and the gospels, and the voice he created on the page in De Profundis was Biblically robust, propulsive, resonant, and rich. Now he was after a language that would directly embody—in its terse contractions and luxuriant expansions, in its roiling internal rhythms and hard stops, in the music that could result from pairing pithy sentences with intricate ones and setting heavy words against their light counterparts—the turbulent emotional states it described.

Another, more charitable way to read De Profundis would be to take seriously what Wilde identifies as his own hopes for it. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception we have to do.